A wall of loudspeakers to every side of the battery (12x12) was sufficient for the spectacle of the live band. It, and his heart-breaking topics full of speed of cigar Thrash Metal.

When still there was natural light it started sounding like intro " Darkness of Christ ", the first one in going out was the inhuman one (for the way of touching) Lombard received with a great ovation. Initially even we doubt that it was he, for his new look (broad cap and chin well taken care by the contour of the face). Already with four beasts above "Disciple" sounded. Sound lacking in power and in force was going out for the loudspeakers.

I change guitars and the first classic cannon-shot, " War ensemble ". The blond Hanneman has problems with his guitar and leaves of scene, returning in the alone one, though to the moment it returns to disappear. Again I replace of guitars to attack with " Stain of mind ", with Jeff Hanneman and Kerry King moving together and to the unison his heads. Raising the tattooed calvorotas and with great goatee, his guitar after the comparison.

Again they us remember his last work with "Threshold". The new topics were received well, but not point of comparison with former and classic of the formation. And it tries this it came with what it continued, three followed broadsides, breathing non-stop, that for me performed the better of this day: "Postmorten", with both united guitarists mangling his six ropes and the bassist and singer Tom Araya wagging his head in the right wing of the scene. With red lights and smoke that was making not see the battery different classic of that " Reign in blood " (1986) that revolutionized the scene Thrash, " Raining blood ", incredibly.

And if we were not satisfied, take " Hell awaits "!, moving Hanneman to King's place. And again problems with the guitar of that one, going away the sound ultimately. A jodienda with so much I fail in the guitar, close to which the sound in general was not, at least for my, everything forceful that wanted. Probably in the part of below it would come with more force, do not be.

Recollections to legendary " Show not mercy " (1983) with " Die by the sword ". And with " Born of fire " turned to the jodienda of the instrument of blond axe, they were going already... On having presented the following topic, "Bloodline", Araya is done as a few imaginary cuts in the wrists.

Canticles of the public with " oeoeoeoe ... " on having finished " God send death " been grateful by the singer and bassist of Chilean descendants with one " Thank you very much for everything ". The only time that he spoke in Castilian and gun-sight that other times has come untied more the language in this language, but apparently today he was not desiring it to the jodío. Well, it is not also that was showing itself very much, when they were finishing the topics and the guitarists were going away to the wings or were disappearing (it was staying a bit badly), he was remaining Araya smiling before the shouts and acclamations of the people.

Three trallazos of the " Seasons in the abyss " (1990), with " Spirit in black ", the impressive and enormous topic " Dead skin mask ", presented with a great shriek and the topic - title " Seasons in the abyss ", with a bold mosher.

The following song was very rapid with touches of Hardcore, "Payback", with this refrain " payback's to bitch motherfucker " so beastly. They were coming to the end with " Mandatory fakes the suicide " and " Chemical warfare ", IMPRESSIVE!.

To the minute they return to go out to finish off ourselves, they did not want that anybody was remaining alive. It sounds initially slightly engraved and it was the beginning of ... siii, the reear, " South on Heaven "!!! And the last one directly to the soul, in order that it was not staying not of us, the most rapid and great " Angel of Death " to the trepidant pace imposed by the Lombard's drums, to exterminate ourselves totally.